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Its story additionally brings home the randomness of both survival and restitution. After its seizure, the work had been relegated to a space for storing on the Jeu de Paume Gallery in Paris that was often identified as “The Room of the Martyrs”. Here, German officers may select Art News and walk off with stolen masterpieces of their selection; those who remained were often deemed degenerate and slated for destruction. Within the lengthy history of art resides the nearly-as-long historical past of looted art.

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